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When you are familiar with the printing process there will come a time when you will want to have more control over the result. This is where burning-in and dodging comes to assist you. This method can be used with both the wet printing process as well as dry i.e. your photo editing program. However, this article focuses on the wet process.

Budget wedding photography can be achieved by simply being honest with the photographer. Tell him or her how much you can spend on your photographer and see what you can figure out together. For example, if you are looking one of the packages that are slightly out of your price range but it is the package you really want, you could try to negotiate with the photographer.

For example: 1. You can ask if you could take something off of the larger priced package to drop the price down a little. 2. Ask if you can get the package for a slightly lower price that way you don’t have to sacrifice. 3. See if you can get a discount for making one lump sum payment instead of making a deposit and then incremental payments. 4. Don’t be afraid to ask for a deal. The worst thing the photographer can say is no.

Dodging Dodging the print describes holding back light from selections in the image for a portion of the overall print exposure. Your own hand is an extremely flexible tool, capable of assuming very intricate shapes. A dodging tool may also be cut from cardboard and can vary in shape and size; be as small as a 5c coin or as large as the print itself. Dodging tools are often made of circular or oval pieces of material taped or glued to handles of stiff wire. The handles should be long enough to easily reach the middle of the image; otherwise the shadow of your hand will appear at the edge of your print. With both dodging and burning-in, a constant motion is applied so as to bleed the differing exposures so the method is not obvious in the final result. If this is not done, hard edges will become obvious between the differently exposed areas. This is an instant give away to sloppy dodging or burning.

Dodging and burning can achieve delicate control of exposure values and avoid obvious changes in the print. Too much burning-in may produce too many dark tones that are obviously not natural and burned edges become evident. Awkward or extreme dodging will also be quite apparent. Dodging and burning can make the difference between an average photograph and a dynamic photograph.

It is an essential skill to acquire, as most photographs (especially outdoor) need some manipulation to provide a satisfactory tonal range.

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